{"id":23,"date":"2021-02-03T11:22:18","date_gmt":"2021-02-03T10:22:18","guid":{"rendered":"http:\/\/yuhsinuchang.ovh\/?page_id=23"},"modified":"2026-01-05T10:02:47","modified_gmt":"2026-01-05T09:02:47","slug":"biographie","status":"publish","type":"page","link":"http:\/\/yuhsinuchang.ovh\/index.php\/biographie\/","title":{"rendered":"biographie \/ biography"},"content":{"rendered":"\n<p style=\"line-height:6\"><strong>YUHSIN U CHANG<\/strong><\/p>\n\n\n\n<p>Originaire de Ta\u00efwan, vit en France depuis 2003. Son travail explore les formes et la po\u00e9tique du vivant \u00e0 travers des mat\u00e9riaux bruts fa\u00e7onn\u00e9s et organis\u00e9s dans un langage sculptural.<\/p>\n\n\n\n<p>Dipl\u00f4m\u00e9e DNSEP de l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Art de Bourges en 2008 et d\u2019un     Master 2 en Recherches Arts Plastiques \u00e0 Universit\u00e9 Paris 1 en 2009.<\/p>\n\n\n\n<p style=\"line-height:6\"><strong>EXPOSITIONS PERSONNELLES<\/strong><\/p>\n\n\n\n<p><p style=\"line-height:1\">2025&nbsp;&nbsp; <strong><em>Huit propositions de paysages<\/em><\/strong>, galerie Duchamp &#8211; Centre d&#8217;art contemporain de Yvetot, Yvetot, France<\/p><\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<em><em><strong>Parcours des sculptures de Yuhsin U Chang<\/strong>,<\/em><\/em><strong><em><strong><em> <\/em><\/strong><\/em><\/strong>Art au fil de la Rance, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><em>Tomb\u00e9e du ciel<\/em><\/em><\/strong>, Espace d\u2019art contemporain Art en Partage, Romainville, France<\/p>\n\n\n\n<p style=\"line-height:1\">2016 &nbsp;&nbsp;<em><em><strong>A Fleur de Peau<\/strong><\/em><\/em>, Centre Culturel Max Juclier, Villeneuve-la-Garenne, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<em><em><strong>White Mystery<\/strong><\/em><\/em>, Central Institute of Technology, Perth, Australie<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;   <em><em><strong>Dark Ground<\/strong>,<\/em> <\/em><em>Taipei Artist Village, Taipei, Taiwan<\/em><\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<strong><em><strong><em>Flux et Reflux<\/em><\/strong><\/em><\/strong>, Galerie YR, Paris, France<\/p>\n\n\n\n<p style=\"line-height:1\">2009 &nbsp;&nbsp;<strong><em><strong><em>Mitate<\/em><\/strong><\/em><\/strong>, Galerie YR, Paris, France<\/p>\n\n\n\n<p style=\"line-height:6\"><strong>EXPOSITIONS COLLECTIVES<\/strong><\/p>\n\n\n\n<p style=\"line-height:1\">2025    &nbsp;&nbsp; <strong><em>Annecy Paysages<\/em><\/strong>, Annecy, France<\/p>\n\n\n\n<p style=\"line-height:1\">2025     &nbsp;&nbsp; <strong><em>Etangs d&#8217;art<\/em><\/strong>, Oss\u00e9, France<\/p>\n\n\n\n<p style=\"line-height:1\">2024   &nbsp;&nbsp;<strong><em>Le voyage \u00e0 Nantes<\/em><\/strong> &#8211; l&#8217;\u00e9v\u00e9nement estival, Square Schwob, Nantes, France<\/p>\n\n\n\n<p style=\"line-height:1\">2023   &nbsp;&nbsp;<strong><em>Le cycle du rien \u2013 POUSSIERE<\/em><\/strong>, Galerie Duchamp &#8211; Centre d&#8217;art, Yvetot, France<\/p>\n\n\n\n<p style=\"line-height:1\">2022 &nbsp;&nbsp;<strong><em><strong><em>Lointain Proche \u2013 Montreuil<\/em><\/strong><\/em><\/strong>, Centre Tignous d&#8217;art contemporain de Montreuil, France<\/p>\n\n\n\n<p style=\"line-height:1\">2022 &nbsp;&nbsp;<strong><em><strong><em>Formes du transfert, Fondation d\u2019entreprise Herm\u00e8s, <\/em><\/strong><\/em><\/strong>Magasins g\u00e9n\u00e9raux, Pantin,  France<\/p>\n\n\n\n<p style=\"line-height:1\">2021 &nbsp; <strong><em><strong><em>Formes du transfert, Fondation d\u2019entreprise Herm\u00e8s, <\/em><\/strong><\/em><\/strong>Atelier Herm\u00e8s, S\u00e9oul, Cor\u00e9e du sud<\/p>\n\n\n\n<p style=\"line-height:1\">2020 &nbsp;&nbsp;<strong><em><strong><em>Festival international de jardin<\/em><\/strong><\/em><strong>\u2502<\/strong><em><strong><em>Hortillonages Amiens, <\/em><\/strong><\/em><\/strong>Amiens, France<\/p>\n\n\n\n<p style=\"line-height:1\">2019 &nbsp;&nbsp;<strong><em><strong><em>Lille3000 &#8211; Eldorado<\/em><\/strong><\/em><\/strong>, Parc des Buissonets, Lille, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Floating commons<\/em><\/strong><\/em><\/strong>, Espace d\u2019art Openspace Bae, Busan, Cor\u00e9e du sud<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Ait Ben Haddou Expo<\/em><\/strong><\/em><\/strong>, Mus\u00e9e Kasb\u2019Art, Ait-Ben-Haddou, Ouarzazate, Maroc<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Festival Art, villes &amp; paysage, <\/em><\/strong><\/em><\/strong>Maison de la Culture d\u2019Amiens, Amiens, France<\/p>\n\n\n\n<p style=\"line-height:1\">2016 &nbsp;&nbsp;<strong><em><strong><em>Amers &#8211; Biennale art &amp; nature<\/em><\/strong><\/em><\/strong>, \u00cele d\u2019Ol\u00e9ron, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Lointain Proche \u2013 Cachan<\/em><\/strong><\/em><\/strong>, L\u2019Orangerie, Cachan, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Lointain Proche \u2013 Nanterre, <\/em><\/strong><\/em><\/strong>La Terrasse \u2013 Espace d\u2019art de Nanterre, Nanterre, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>La m\u00e9tamorphose \u2013 un sommeil sous terrain<\/em><\/strong><\/em><\/strong>, Galerie Hors-Champs, Paris, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Festival Art, villes &amp; paysage, <\/em><\/strong><\/em><\/strong>Maison de la Culture d\u2019Amiens, Amiens, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Biennale Epn\u00e9m\u00e8res, <\/em><\/strong><\/em><\/strong>vall\u00e9e de la Dordogne, Ste Alv\u00e8re, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Festival Lieux Mouvants, <\/em><\/strong><\/em><\/strong>Centre Bretagne, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Explicit &amp; Cryptic : The OO Age<\/em><\/strong><\/em><\/strong>, Mus\u00e9e d\u2019Art Moderne de Changhua, Ta\u00efwan<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Grandeur, Den Haag Sculptuur, <\/em><\/strong><\/em><\/strong>Lange Voorhout, Den Haag, Pays-Bas<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Intrusion<\/em><\/strong><\/em><\/strong>, Vent des For\u00eats, Meuse, France<\/p>\n\n\n\n<p style=\"line-height:1\">2014&nbsp;&nbsp; <strong><em><strong><em>Horizons en Sancy<\/em><\/strong><\/em><\/strong>, Picherande, France<\/p>\n\n\n\n<p style=\"line-height:1\">2014&nbsp;&nbsp; <strong><em><strong><em>Art Paris Art Fair <\/em><\/strong><\/em><\/strong><em>\u2013 Foire d\u2019art moderne et contemporain<\/em>, Grand Palais, Paris, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>Domino \u2013 Domino Bis, <\/em><\/strong><\/em><\/strong>Eglise des Cordeliers, Gourdon, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>Parcours d\u2019art contemporain en vall\u00e9e du Lot, <\/em><\/strong><\/em><\/strong>Centre d\u2019Art Contemporain de Cajarc, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>Festival Cahors Juin Jardins<\/em><\/strong><\/em><\/strong>, Parc Tassart, Cahors, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>R\u00e9sidence 2013<\/em><\/strong><\/em><\/strong>, Centre d\u2019Art Contemporain de Pontmain, Pontmain, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>Ulysses, un itin\u00e9raire d\u2019art contemporain<\/em><\/strong><\/em><\/strong>, Marseille-Provence 2013, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013&nbsp;&nbsp; <strong><em><strong><em>Art Paris Art Fair <\/em><\/strong><\/em><\/strong><em>\u2013 Foire d\u2019art moderne et contemporain<\/em>, Grand Palais, Paris, France<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Afterlife<\/em><\/strong><\/em><\/strong><em>, <\/em>Mus\u00e9e Tot Zover, Amsterdam, Pays-Bas<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Tropisme, <\/em><\/strong><\/em><\/strong>L&#8217;Usine Utopik &#8211; Centre de Cr\u00e9ation Contemporaine, Tessy-sur-Vire, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<strong><em><strong><em>Festival Chroniques Nomades<\/em><\/strong><\/em><\/strong>, Honfleur, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<strong><em><strong><em>Dynasty<\/em><\/strong><\/em><\/strong>, Palais de Tokyo et Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, Paris, France<\/p>\n\n\n\n<p style=\"line-height:6\"><strong>BOURSES OBTENUES<\/strong><\/p>\n\n\n\n<p style=\"line-height:1\">2012 &nbsp;&nbsp;<em><strong>DRAC d\u2019Ile-de-France<\/strong><\/em>, aide individuelle \u00e0 la cr\u00e9ation, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<em><strong>Mairie de Paris &#8211; D\u00e9partement de l\u2019art dans la ville<\/strong><\/em>, aide individuelle au projet, France<\/p>\n\n\n\n<p style=\"line-height:1\">2009 &nbsp;&nbsp;<em><strong>CNAP &#8211; Minist\u00e8re de la Culture et de la Communication<\/strong><\/em>, aide \u00e0 la premi\u00e8re exposition<\/p>\n\n\n\n<p style=\"line-height:6\"><strong>RESIDENCES<\/strong><\/p>\n\n\n\n<p style=\"line-height:1\">2019-2020&nbsp;&nbsp; <em><strong>Fondation d\u2019entreprise Herm\u00e8s<\/strong><\/em>, Manufacture de Haute Maroquinerie, Aix-les-Bains, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017<em> &nbsp;&nbsp;<strong>Openspace Bae<\/strong><\/em>, Busan, Cor\u00e9e du Sud<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<em><strong>Atelier \u00e0 Ait Ben Haddou<\/strong><\/em>, Ouarzazate, Maroc<\/p>\n\n\n\n<p style=\"line-height:1\">2013<em> &nbsp;&nbsp;<strong>Central Institute of Technology<\/strong><\/em>, Perth, Australie<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<em><strong>Maisons Daura<\/strong><\/em>, Saint-Cirq-Lapopie, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<em><strong>Centre d\u2019Art Contemporain de Pontmain<\/strong><\/em>, Pontmain, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<em><strong>Voyons Voir &#8211; art contemporain, patrimoine, paysage<\/strong>, <\/em>Domaine de Saint-Ser, France<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<em><strong>L&#8217;Usine Utopik &#8211; Centre de Cr\u00e9ation Contemporaine<\/strong><\/em>, Tessy-sur-Vire, France<\/p>\n\n\n\n<p style=\"line-height:6\"><strong>PUBLICATIONS<\/strong><\/p>\n\n\n\n<p style=\"line-height:1\">2020&nbsp; <strong><em><strong><em>Yuhsin U Chang<\/em><\/strong><\/em><\/strong>, cahier de r\u00e9sidence, \u00e9d. Actes Sud\u2502Fondation d\u2019entreprise Herm\u00e8s, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Yuhsin U Chang<\/em><\/strong><\/em><\/strong>, brochure d\u2019exposition, \u00e9d. Art au fil de la Rance #5, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Ait Ben Haddou Expo<\/em><\/strong><\/em><\/strong><em>, <\/em>catalogue d\u2019exposition collective, \u00e9d. Arkane, Maroc<\/p>\n\n\n\n<p style=\"line-height:1\">2016 &nbsp;&nbsp;<strong><em><strong><em>Amers &#8211; Biennale art &amp; nature<\/em><\/strong><\/em><\/strong>, catalogue d\u2019exposition collective, \u00e9d. CAVIP, France<\/p>\n\n\n\n<p style=\"line-height:1\">2016 &nbsp;&nbsp;<strong><em><strong><em>T\u00e9l\u00e9rama<\/em><\/strong><\/em><\/strong>, 23\/29 mars 2016, p.18, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Biennale Eph\u00e9m\u00e8res<\/em><\/strong><\/em><\/strong>, catalogue d\u2019exposition, \u00e9d. Les Rives de l\u2019Art, France<\/p>\n\n\n\n<p style=\"line-height:1\">2015 &nbsp;&nbsp;<strong><em><strong><em>Lointain Proche<\/em><\/strong><\/em><\/strong><em>, <\/em>catalogue d\u2019exposition collective, \u00e9d. Espace d\u2019art de Nanterre, France<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Beaux-Arts magazine, <\/em><\/strong><\/em><\/strong>num\u00e9ro d\u2019octobre, p.126, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<strong><em><strong><em>Ulysses<\/em><\/strong><\/em><\/strong><em>, <strong>un itin\u00e9raire d\u2019art contemporain<\/strong><\/em>, magazine Beaux-Arts, France<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<strong><em><strong><em>R\u00e9sidence 2013<\/em><\/strong><\/em><\/strong><em>, <\/em>brochure de la r\u00e9sidence, \u00e9d. Centre d\u2019Art Contemporain de Pontmain, France<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Afterlife<\/em><\/strong><\/em><\/strong><em>, <\/em>catalogue d\u2019exposition de Mus\u00e9e Tot Zover, \u00e9d. Olaf Breukhoven, Pays-Bas<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Arts plastiques<\/em><\/strong><\/em><\/strong><em>, <strong>Pratique artistique, Premi\u00e8re, Cours et devoirs, Tome 4, <\/strong><\/em>manuel de formation artistique du Centre National d\u2019Enseignement \u00e0 Distance, Institut de Rennes, France&nbsp; <\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Du yodel \u00e0 la physique quantique<\/em><\/strong><\/em><\/strong><strong>, <em>Volume 4<\/em><\/strong><em>, <\/em>almanach 2010, \u00e9d. Palais de Tokyo, France<\/p>\n\n\n\n<p style=\"line-height:1\">2011 &nbsp;&nbsp;<strong><em><strong><em>Yuhsin U Chang<\/em><\/strong><\/em><\/strong><em>, <\/em>brochure de la r\u00e9sidence Usine Utopik #12, \u00e9d. Usine Utopik, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<strong><em><strong><em>Palais \/ 12 \u00e9t\u00e9<\/em><\/strong><\/em><\/strong><em>, <\/em>magazine, \u00e9d. Palais de Tokyo \/ Centre National des Arts Plastiques, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010 &nbsp;&nbsp;<strong><em><strong><em>Dynasty<\/em><\/strong><\/em><\/strong><em>, <\/em>catalogue d\u2019exposition collective, \u00e9d. Paris-Mus\u00e9e, France<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p style=\"line-height:6\"><strong>COLLECTIONS<\/strong><\/p>\n\n\n\n<p style=\"line-height:1\">2020&nbsp;&nbsp; <strong><em><strong><em>Tentatives (1, 2, 3)<\/em><\/strong><\/em><\/strong>, Fondation d\u2019entreprise Herm\u00e8s, France<\/p>\n\n\n\n<p style=\"line-height:1\">2020&nbsp;&nbsp; <strong><em><strong><em>M\u00e9moire d\u2019arbre,<\/em><\/strong><\/em><\/strong><strong><em><strong><em> <\/em><\/strong><\/em><\/strong>Art &amp; Jardins\u2502Hauts-de-France, Amiens, France<\/p>\n\n\n\n<p style=\"line-height:1\">2018&nbsp;&nbsp; <strong><em><strong><em>Vue n\u00b01, <\/em><\/strong><\/em><\/strong>collection priv\u00e9e, France<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Penser n\u00b06<\/em><\/strong><\/em><\/strong><em>, <\/em>Mus\u00e9e Kasb\u2019Art, Ait-Ben-Haddou, Ouarzazate, Maroc<\/p>\n\n\n\n<p style=\"line-height:1\">2017 &nbsp;&nbsp;<strong><em><strong><em>Penser n\u00b07<\/em><\/strong><\/em><\/strong><em>, <\/em>Association Arkane, Casablanca, Maroc<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Nuage<\/em><\/strong><\/em><\/strong>, collection priv\u00e9e, France<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Alt\u00e9ration n\u00b04<\/em><\/strong><\/em><\/strong><em>, <\/em>Taiwan Fine Arts Fundation (Art Bank Taiwan), Taichung, Ta\u00efwan<\/p>\n\n\n\n<p style=\"line-height:1\">2014 &nbsp;&nbsp;<strong><em><strong><em>Vague n\u00b04<\/em><\/strong><\/em><\/strong><em>, <\/em>Taiwan Fine Arts Fundation (Art Bank Taiwan), Taichung, Ta\u00efwan<\/p>\n\n\n\n<p style=\"line-height:1\">2013 &nbsp;&nbsp;<strong><em><strong><em>Endovegetalis-humano\u00efde<\/em><\/strong><\/em><\/strong><em>, <\/em>Taiwan Fine Arts Fundation (Art Bank Taiwan), Ta\u00efwan<\/p>\n\n\n\n<p style=\"line-height:1\">2012 &nbsp;&nbsp;<strong><em><strong><em>Transit<\/em><\/strong><\/em><\/strong><em>, <\/em>collection priv\u00e9e, France<\/p>\n\n\n\n<p style=\"line-height:1\">2012&nbsp; &nbsp;<strong><em><strong><em>Endovegetalis-humano\u00efde 1<\/em><\/strong><\/em><\/strong><em>, <\/em>collection priv\u00e9e, France<\/p>\n\n\n\n<p style=\"line-height:1\">2010&nbsp; &nbsp;<strong><em><strong><em>Alt\u00e9ration n\u00b01<\/em><\/strong><\/em><\/strong><em>, <\/em>collection priv\u00e9e, France<\/p>\n\n\n\n<p style=\"line-height:1\">2009 &nbsp;&nbsp;<strong><em><strong><em>Obscure 1<\/em><\/strong><\/em><\/strong><em>, <\/em>collection priv\u00e9e, France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>YUHSIN U CHANG Originaire de Ta\u00efwan, vit en France depuis 2003. Son travail explore les formes et la po\u00e9tique du vivant \u00e0 travers des mat\u00e9riaux bruts fa\u00e7onn\u00e9s et organis\u00e9s dans un langage sculptural. Dipl\u00f4m\u00e9e DNSEP de l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Art de Bourges en 2008 et d\u2019un Master 2 en Recherches Arts Plastiques \u00e0 Universit\u00e9 Paris &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/yuhsinuchang.ovh\/index.php\/biographie\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;biographie \/ biography&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":686,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/pages\/23"}],"collection":[{"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":58,"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":2360,"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/pages\/23\/revisions\/2360"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"http:\/\/yuhsinuchang.ovh\/index.php\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}